By David Albahari
Translated from the Serbian by Ellen Elias-Bursac
From the award-winning Serbian author David Albahari comes a devastating and Kafkaesque war fable about an army unit sent to guard a military checkpoint with no idea where they are or who the enemy might be.
Paperback List Price: $16.99 • ISBN: 9781632061928 • Publication: 9/11/2018 • 5” x 7.125” • 208 pages • Fiction: Literary / War Satire / Serbian • Territory: World English • eBook ISBN: 9781632061935
About the Book
Atop a hill, deep in the forest, an army unit is assigned to a checkpoint. The commander doesn’t know where they are, what border they’re protecting, or why. Their map is useless and the radio crackles with a language no one can recognize. A soldier is found dead in a latrine and the unit vows vengeance—but the enemy is unknown. Refugees arrive seeking safe passage to the other side of the checkpoint, however the biggest threat might be the soldiers themselves. As the commander struggles to maintain order and keep his soldiers alive, he isn’t sure whether he’s fighting a war or caught in a bizarre military experiment.
Equal parts Waiting for Godot and Catch-22, Checkpoint is a haunting and hysterical confrontation with the absurdity of war.
Praise for Checkpoint:
“Checkpoint is a tornado of a book. David Albahari, a noted Serbian author who lives in Canada, muscles this Kafkaesque short novel into the war-is-absurd literary tradition in one tremendous 183-page paragraph…. Comic and absurd scenarios alternate with episodes of fear, confusion, and horrific violence as the 30-man unit tries to make sense of a mission they don’t understand. They can’t communicate with their central command to get updated orders or news. They encounter enemies and refugees whose nationalities and languages they can’t identify. Amid all this haze, the narrator is free to free-associate…. Throughout the novel, the dirty realities of war mingle inextricably with such intrusions from the mystical and the imaginary. In the midst of slaughter, rape, and betrayal, the commander is visited by images from movies, literature, his past. When his men die he cries, he vomits, he collapses. Yet they remain as respectful and loyal as soldiers in a fairy tale…. Stylistically, JP Donleavy and Gary Shteyngart come to mind at times, while imagistically one might think of Goya, Picasso, or the Surrealists. But Albahari has a distinctive voice, and it comes through vividly in Ellen Elias-Bursać’s able translation from the Serbian.”
—Jon Sobel, Blogcritics
“Between adventure and apocalypse... Kafka and Kubrick...combining in grotesque-comical manner all the ridiculousness, beauty, horror, subtlety and extravagance that literature can hold.“
—Neue Zürcher Zeitung
Praise for David Albahari:
“Albahari makes us feel how fiercely the present needs to know the past. The present is an expression of the past, whether we know what it was or we don’t, and when there exists only a void between us and our antecedents, he suggests, it is this void, rather than what ought to be our own lives, that will claim us. The book is a sophisticated meditation on the inextricability of historical memory and identity; it is also a gorgeous work of the imagination about an act of imagination. The tone is pure, as strange as can be, and hypnotizing.”
—Deborah Eisenberg, BOMB
“The book's single paragraph encourages reading it in one sitting…. Even translated from his native Serbian, Albahari's prose has the contemplative, textured quality of such Eastern European writers as Kundera.”
—John Green, Booklist
“Albahari has written another investigation into the dark currents flowing just beneath the surface of human experience, and we should feel lucky to follow him down.”
—Jessa Crispin, NPR Books
“Both compelling and original, a postmodern meditation on souls living and dead, the interwoven nature of relationships of both hate and love, war and order, religion and politics.”
—Nina Herzog, Words Without Borders
About the Author
“A Kafka for our times” (Neue Zürcher Zeitung), David Albahari was born 1948 in Péc, Serbia. He studied English language and literature in Belgrade. In 1994 he moved to Calgary, Canada with his wife and their two children where he still lives today. He mainly writes novels and short stories and is also an established translator from English into Serbian. He is member of the Serbian Academy of Sciences and Arts. His collection of short stories Description of Death won the Ivo Andric Award for the best collection of short stories published in Yugoslavia in 1982 and his novel BAIT the NIN Award for the best novel published in Yugoslavia in 1996. His latest collection of stories, Every Night in Another Town, has won the important Vital Award, one of the most significant literary awards in Serbia. His books have been translated into sixteen languages by the most prestigious international publishers, among them Harcourt, Harvill, Eichborn, Gallimard, Cossee and Einaudi. English translations include a selection of short stories, entitled Words Are Something Else, as well as four novels Tsing, Bait, Snow Man, and Götz and Meyer. He has translated into Serbian many books by authors such as S. Bellow, I.B. Singer, T. Pynchon, M. Atwood, V.S. Naipaul and V. Nabokov as well as plays by Sam Shepard, Sarah Kane, Caryl Churchill and Jason Sherman. He was a participant in the International Writing Program in Iowa (1986) and International Writer-in-Residence at the University of Calgary, under the auspices of Markin-Flanagan Distinguished Writers Program (1994-95). Between 1991 and 1994 he was president of the Federation of Jewish Communities in Yugoslavia.
About the Translator
Ellen Elias-Bursac has been translating fiction and non-fiction by Bosnian, Croatian, and Serbian writers since the 1980s. The AATSEEL translation award was given to her translation of David Albahari’s short-story collection Words Are Something Else, ALTA's National Translation Award was given to her translation of Albahari's novel Götz and Meyer in 2006. Her book Translating Evidence and Interpreting Testimony at a War Crimes Tribunal: Working in a Tug-of-War was given the Mary Zirin Prize in 2015.