ABOUT THE BOOK

Restless Classics presents the ninetieth anniversary edition of an undersung gem of the Harlem Renaissance: Nella Larsen's Passing, a captivating and prescient exploration of identity, sexuality, self-invention, class, and race set amidst the pealing boisterousness of the Jazz Age. When childhood friends Irene Redfield and Clare Kendry cross paths at a whites-only restaurant, it’s been decades since they last met. Married to a bigoted white man who has no idea that she is African American, Clare has fully embraced her ability to “pass” as a white woman. Irene, also light-skinned and living in Harlem, is shocked by Clare’s rejection of her heritage, though she too passes when it suits her needs. This encounter sparks an intense relationship between the two women who, as acclaimed critic and novelist Darryl Pinckney writes in his insightful introduction, reflect Larsen’s own experience of being “between black and white, and culturally at home nowhere.”

In a culture intent on setting boundaries, Clare and Irene refuse to adhere to expectations of gender, race, or class, culminating in a tragic clash of identities, as their relationship swings between emotional hostility and intense attraction.

ABOUT RESTLESS CLASSICS

We all have “the list”: those classic books that we have the best intentions of reading, but which, after graduating from school, become less urgent priorities. We've set out to address this problem with Restless Classics—a series of beautifully packaged, newly introduced and illustrated great books from the past that still speak to our time, our place, and, especially, our restlessness. In addition to their original artwork and fresh introductions, Restless Classics brings the classroom experience to the reader with linked online teaching videos.

Find out more at restlessbooks.com/classics. 

Praise for the Restless Classics Edition

“Nella Larsen’s Passing is one of those American classics that I’ve always meant to get around to. A new edition is out today from Restless Books, with a handsome cover (and interior illustrations, all by Maggie Lily) and an introduction by the novelist and critic Darryl Pinckney. If I’m going to tackle a classic, I like to have a teacher to help me along the way…. It’s a remarkable book, and Maggie Lily’s dark illustrations end up feeling very appropriate.”

—Rumaan Alam, The New York Times Books Newsletter

Praise for Passing

"Quicksand and Passing are novels I will never forget. They open up a whole world of experience and struggle that seemed to me, when I first read them years ago, absolutely absorbing, fascinating, and indispensable."

—Alice Walker

"Discovering Nella Larsen is like finding lost money with no name on it. One can enjoy it with delight and share it without guilt."

—Maya Angelou

“Nella Larsen didn’t just eschew tribes — she never had one to begin with…. Unsparing on the madness of racial classification but frank, and very beautiful, on the lure of racial belonging.”

—Parul Sehgal, The New York Times

“[Passing] is about changing definitions of concepts like race and gender, and the inextricable relationship between whiteness and blackness. It is a meditation on the uneasy dynamic between social obligation and personal freedom. It dramatizes the impossibility of self-invention in a society in which nuance and ambiguity are considered fatal threats to the social order.”

—Emily Bernard, Electric Literature

“I have read and re-read Passing more than a dozen times. Each time I think I can hear Larsen's own voice more clearly: asking, demanding really, that each of us abandon the labels we've been assigned and celebrate the story that we are.”

—Heidi W. Durrow, NPR

“Passing broke literary ground as the story of two racially and sexually ambiguous women written by another. Social boundaries can be permeated, but not without cost.”

—Natalie Cate, The Guardian, 1000 novels everyone must read

“A careful reading of Larsen’s prized novel paired with Lily’s prints makes the content present, not a gaze back in time. Readers, I am sure, will leave this novel wondering about contemporary moments of passing, be they related to education, sexuality, race, or economics. This reprinting of Passing is a welcome delight, especially as scholars are increasingly turning their attention back to Larsen’s body of work.

—Don Homes, The Carolina Quarterly