Fiction

Read an Excerpt from 'Super Extra Grande' by Cuban Sci-Fi Master Yoss

Published today, Super Extra Grande is a big-and-tall tale from the future. From the author VICE calls “Cuba’s premier science-fiction writer” comes an adventure of epic proportions.  The fun never sets in Super Extra Grande, a space opera following the adventures of an intergalactic veterinarian attending unusually large extraterrestrials. When a colonial conflict threatens the fragile peace between the galaxy’s seven intelligent species, he must embark on a daring mission through the insides of a gigantic creature and find two swallowed ambassadors—who also happen to be his competing love interests. Funny, witty, raunchy, and irrepressibly vivacious, the book whose "madcap tone" a Kirkus starred review compares  to the work of Douglas Adams, Super Extra Grande is your perfect travel companion this summer. Read on for an excerpt from the book!


From Super Extra Grande, by Yoss

González syndrome is the term for the excessive growth experienced by some humans after spending long periods in weightlessness as children and teenagers. It is considered a benign form of acromegaly in which, fortunately, the short bones do not grow as much as the long bones.

Astronauts were already familiar with the effect in the twentieth century. In weightless conditions, your intervertebral discs relax, your spinal column grows a few centimeters—and then shrinks again, though not quite all the way, when you return to the planetary gravity well. And so, after each long voyage, an astronaut ends up being a little taller than before.

But before the Tunnel Macroeffect, and even for a few years after it had been fine-tuned and entered into general use, only a select few remained in weightlessness for weeks or months at a time. And they were all adults.

People only started to notice the effects of alternating periods of gravity and weightlessness on a growing human body when I and a few other little kids began to grow with the unbridled enthusiasm of transgenic corn overdosing on chemical fertilizers.

The endocrinologists thanked my mother and father for bringing me to their clinics right away. They treated me with bone fortifiers and calcium superabsorbers to eliminate the risk of osteoporosis, to which acromegalic giants are prone. They implanted artificial cartilage in the menisci of my knees, the most vulnerable joint for tall, heavy humans. They wrote a couple of brainy dissertations about my case… And they banned humans under the age of ten from spending more than two weeks a year in weightlessness.

A wise regulation, for all the good it did me. By the age of nineteen, when the cartilage in my wrists closed, showing that I had finally stopped growing, I was seven feet eleven inches tall and wore size fifty shoes. My voice was a subterranean, sometimes infrasonic bass. Unchecked bone growth gave me the face of an ogre. Teenage acne added to the effect.

As if that weren’t bad enough, I always was a good eater, not to say a glutton. So the spindly eleven year old, all legs and arms, with the biotype that volleyball, basketball, and high-jump coaches are always looking for, turned into a 375-pound hulk. Good thing my knees had been reinforced; otherwise, I doubt they could have withstood the excess weight.

At present I’m no body builder by any means. I’m overweight, verging on obese—though under my layers of fat I have muscles that any hammer thrower would envy. So I don’t look all that bad, especially when I dress up. During my studies at Anima Mundi I earned some pocket cash, always welcome for a student, by playing giant villains in the mythological sagas produced for the local holovision network.

Does anyone remember the next-to-last episode of The Epic of Gilgamesh? I was Humbaba, the one-eyed monster who guarded the Cedar Forest. And in The Twelve Labors of Hercules I played a whole gallery of super-extra-grande characters: Antaeus, Atlas, Geryon with his cattle, even the terrible ogre Typhon.

I am, in good Cuban Spanish, a real sangandongo.

And my two surnames played as big a role as my body type in determining my profession.

I remember that when I reached my final height, a few months before the key time when I was supposed to choose what I wanted to spend the rest of my life doing, my mother and father held a kind of tense family meeting. Including me, for a change.

Of course, like any parents, they had the usual blind spots. They couldn’t imagine my being interested in any field but the history of education. They were only arguing about it because they each wanted to convince me, and convince the other one, that their own research style was the best.

My mother insisted that, with my imposing stature and voice, few scholars would dare to contradict me in the halls of academia, where I’d enjoy the considerable advantage of getting my theories accepted with less supporting evidence than any other researcher.

My father, for his part, argued that my impressive physique would almost automatically make the members of any exotic human community where I might land to do fieldwork look up to me as an authority figure, and as a bonus I’d be able to lug huge amounts of recording equipment on my back without being appreciably weighed down by it as I trekked cross-country, even over rugged terrain.

As always, within minutes my beloved parents were shouting and screaming at each other, both of them red-faced and bursting the blood vessels in their necks, like good mortal enemies.

Dr. Yamila Dongo argued that, with my body size, doing fieldwork would make me the target of the local population’s instant envy and hatred, that in any group the first aggressive response would probably be aimed directly at me, to make it clear that the most powerful was also the most vulnerable, and that he was an unnatural father who only wanted to see me dead so he’d be rid once and for all of a son he never wanted.

To this, Dr. Matsumoto Sangan retorted that my remarkably imposing physical stature would make me an irresistible temptation for every mediocre dwarf ensconced in academe, who would try to gain recognition and overcome his inferiority complex by squelching my proposals and invalidating my theories just because they were mine. And that she was nothing but a frustrated theorist who imagined that the reason she’d never amounted to anything was her pathetic five feet nine inches of height, and that was why she was trying to succeed through me, her son, without giving a thought in the world to what I wanted for myself…

I’ve come to the conclusion that arguing and insulting each other is the only way my parents know how to communicate—and to express their admiration and deep affection for one another.

So they could have kept at it like that for days, if I hadn’t taken advantage of the bit about “what I wanted for myself” to announce that what I really wanted with all my heart was to study veterinary biology, and that I had set my sights on the famous Anima Mundi University for Biological Sciences. Though the tuition was pretty steep…

This put an end to the debate. My parents may be chemically incompatible when they get together, but the truth is, there’s nobody more understanding than them, or more willing to support their only child.

It didn’t matter that they’d both dreamed for years of someday seeing me follow in their footsteps as a historian of education; if my vocation was to be a veterinarian biologist, that’s what I’d be. Whatever the cost.

The deadline for taking the Anima Mundi entrance exam was almost past, but Dr. Sangan, who had many more personal contacts than somebody who never left campus, knew the university president’s brother-in-law’s first cousin, so that little detail wasn’t going to stop me from taking the tests and passing them like the son of a great genius that I was, was it?

And if Anima Mundi University was expensive, well, Dr. Dongo was much more practical and experienced with academic intrigues than somebody who only showed up at his nominal university office (usually by mistake!) once a year, between one research trip and the next, and she understood the complex inner workings of the interplanetary system of scholarships and grants for physically challenged students better than anyone… And at this point they had a secondary argument about whether being almost eight feet tall counted as a partial handicap. Be that as it may, my mother was absolutely confident she’d be able to knock as much as seventy percent off my tuition.

I’ll never know whether it was due to my own intelligence and education alone, or whether my father’s contacts had something to do with it, but I passed the entrance exam and later that same year I began to study veterinary biology at the university on Anima Mundi, the garden planet of the Third Wave.

Likewise, I don’t know and don’t care to find out whether it was because of my mother’s bureaucratic skills or because such scholarships really existed, but the fact is, I studied for seven years to get my degree and it didn’t cost me or my beloved parents a single solarium.

Oh, and were those years ever interesting…

First off, the gravity on Anima Mundi is slightly stronger than the terrestrial standard. To be precise, 1.1 g. As a result, people tend to be somewhat shorter on average. Few of the people born there are taller than about five foot ten. So whether in the classroom or on campus (not to mention out around town!) I was sort of a circus attraction. My knees often hurt, but I guess it wasn’t all that strange for me to end up working in holovision despite my almost total lack of acting talent.

And I can confirm that everything they say about the acting world is true. Luckily. Otherwise, I’m afraid I might still be a virgin. I was so shy back then.

Though I’ve never been a “cool kid,” I quickly made friends in my classes, and beyond them, too. I often ended up carrying or dragging guys or girls back to their dorms after they passed out, since my imposing physical size made me naturally more tolerant of alcohol and other psychotropics, always popular among university students of any era. My rough kindness soon made me a favorite drinking buddy.

There’s an old joke at Anima Mundi: You tell somebody that veterinary biology students also take oceanography, and they inevitably reply, “Oh, quieres decir marine biology? Like, you study peces, squid, la vida underwater?” Then you laugh and come back with: “No! We study bars, cantinas, nightclubs, todo tipo de dives.”

With all that oceanography, even though I looked like a human-troll hybrid I had more sex than I ever dreamed of during those years. More varied, too. And not just with the people at the local holovision studios. On campus, too, there were lots of girls, and almost all were accommodating—and curious. Some boys weren’t bad at all, either, and they were also delightfully understanding with a shy adolescent who was trying to define his own sexual orientation.

I never really got physically intimate with students from other races—there were Laggorus, Amphorians, and Cetians studying at Anima Mundi—but I swear that, other than interspecies sex, which I still have a few prejudices about, there isn’t much I didn’t try.

The lectures weren’t especially difficult for a more or less diligent student, either. Though biology and veterinary studies have changed a bit in the era of the González drive.

We didn’t study much about the other six of the “lucky seven” intelligent races. Their physiology and illnesses are the nearly exclusive fiefdom of interspecies medicine, whose professionals are the most prized in the entire Milky Way, perhaps because it takes at least ten years to complete enough studies to deal with even three or four races. As for doctors who can treat the diseases of every rational species… you could count every one in the galaxy on the fingers of one hand and still have enough fingers left to scratch yourself.

On Earth, before the González drive, biologists were always a few steps ahead of veterinarians when it came to exotic animals. Veterinarians, on the other hand, were indisputably more knowledgeable about the species humans had coexisted with for centuries.

To put it bluntly: If you were rich enough and eccentric enough to keep a cuscus, a rare arboreal marsupial from New Guinea, as a pet, and it refused to eat, you’d have to take it to a biologist, who’d tell you seven or eight theories about the difference between placental mammals and their primitive marsupial predecessors, before finally explaining that we really know very little about them.

And then he’d charge you an arm and a leg for the lecture.

On the other hand, if your dog got a fever, the vet would list twenty or thirty possible causes, figure out which was most likely in the case of your breed of mutt, do a blood test and a stool exam or two, and give you a prescription for the precise dose of medication that would probably cure it.

And also charge you an arm and a leg, of course.

Not that he shouldn’t. Keeping pets was always a luxury, and luxuries have to be expensive, by definition, don’t they?

But it’s a very different story now. Any mush-brained crew member on a faster-than-light exploration ship can land on a methane planet and carry off, among the samples he brings back onto the ship, a magenta anemone that shoots venomous darts from its tentacles.

Since it’s a unique specimen until its discoverer feels like giving out the coordinates of the world where he found it, both biologists and veterinarians study it. Who gets to it first, who second, depends only on which of them is closer at the time.

But everything they discover about the enchanting critter goes into a single database, accessible on the holonet, which is constantly receiving contributions from explorers, biologists, and veterinarians—and not only from humans but also from each of the other six intelligent races in the galaxy.

So the next person who runs into a specimen of the species in question will already know more or less what to expect from it. What environmental conditions, temperature, light level, and atmospheric composition (oxygen, methane, fluorine, whatever gas it breathes) it prefers. What it eats, what predators it fears may eat it, how it reproduces (if we’re very lucky), how it gets sick and from what, what it can die of (which, unfortunately, is always one of the first things we learn about an animal), and various other details of general interest.

The result is that biology and veterinary medicine have now merged. It helps a little that you no longer have to rack your brains memorizing every known fact about particular species. Good thing! Because there are billions of them. What we up-and-coming veterinary biologists learned at Anima Mundi was simply how to recognize different species, how to classify them into some of the basic types, which are basically organized according to what they breathe, and how to follow our intuition from then on.

Of course, almost all of us ended up specializing in some specific category, to make things easier. For example, my friend João de Oliveira from the planet Saudade, a compulsive gambler, focused on fluorine-breathing predators. He always liked making money and taking risks… and Kerkants and Parimazos pay well for their pets. Well enough for him to pay off his gambling debts.

Another friend, not a gambler but even more addicted to bars and cantinas than João, was Juni Tacho, who dreamed of knowing more than anyone else about social insects. The military was always his calling. In fact, he dropped out of veterinarian biology in his second year and enrolled in the Army of Earth. I haven’t heard from him since… But there are so many worlds, and so many soldiers…

In the finest sedentary, low-metabolism style of the Juhungans, Irma Korolyova, calm and cool, devoted herself to the study of hydrogen-breathing zoophytes, which might move one tentacle a day if you’re lucky.

One of the most diligent non-humanoid students at Anima Mundi, the Amphorian Murgh-Jauk-Larh, spent his time studying what he thought of as the most exotic creatures he had ever seen: none other than terrestrial dogs, which have lately become remarkably popular as expensive, extravagant pets among the rich and powerful in his methane-breathing race. And he’s climbed far up the social ladder. Almost as high as his bank account, I think.

I became the “Veterinarian to the Giants.” It wasn’t a carefully planned decision, I admit, but not one I made on the spur of the moment, either. The truth is, looking back on things now, I can say that life itself pushed me in this direction.

My exorbitant dimensions made the labs and practicals in parasitology, virology, and microbiology a real torture throughout my years of study. I think I set a record with the number of petri dishes and microscopes I broke. Not to mention chair legs splintered in an average semester because they couldn’t take my weight.

And, man, the instruments! Tweezers, scalpels… Everything was too uncomfortably tiny and delicate for my old mitts. And when it came to using electron microscopes or microtomes, forget it, they didn’t even let me near. Those machines cost millions of solaria.

On the other hand, when things increased in scale, I felt I was in my element.

There was a marabunt from Sylaria to dissect? I’d be the first volunteer for the job. Armored, predatory lizard-fish that grow to several meters in length, marabunts live in their planet’s low mudflats. They have no equals as examples of the pros and cons of asexual reproduction through budding in higher vertebrates. But since they’re almost all mouth and teeth and have an incredibly resilient nervous system, it’s kind of risky to dissect them. It isn’t rare for a specimen that was thought dead an hour earlier to suddenly start snapping and biting, a reflex that could cost a distracted student his hand.

Or his whole arm, if he isn’t quick on his feet.

But with me, forget about it. Putting my body mass to good use, I created a new and very safe method for performing the operation, though one that not everyone can make use of, unfortunately. I’d sit right down on the monster’s head and dissect it as calmly as could be, knowing it wouldn’t be able to open its jaws, crushed as they were under all the kilograms of my rear end.

When my class had to vivisect a grendel, it was like a party for me.

Grendels are cave-dwelling crustaceans from Abyssalia. Radially symmetrical, they measure up to twenty meters from claw to claw (they have eight), and they’re so full of life that you can practically make picadillo of them before they decide to die.

When most of my classmates saw those fifty-centimeter macrocells throbbing and pulsing spasmodically with each cut, they threw up—and by the third year of veterinarian biology, it takes something genuinely disgusting to make a student vomit.

But not me. I happily wielded the sharpened spade to classify the enormous cells and the laser saw for slicing off more, and deftly handled the hydraulic jack to separate the tissues. It was my life’s dream: everything large-scale, comfortable, manageable—that is, made to fit me.

I graduated with good enough grades. They might have been a lot better, if it hadn’t been for the long list of ruined instruments, slides, and optical microscopes.

Good thing they didn’t make me pay for them, or I’d still be deep in debt.

On top of that, I had the great good luck of getting a call just two weeks later, when I was still trying to figure out how to open my own practice, from Dr. Raúl Pineda, one of the epidemiology professors who had made me suffer at the university.

I had once told him, half seriously and half in jest, that when I had nothing else to do and a lot of free time, I’d love to work with him.

Well, now he was taking me at my word. Did I have anything especially urgent to do over the next couple of weeks? No? Beautiful. On Jurassia, the planet where ninety percent of the dinosaurs cloned by Parimazo genetic technology live, an epidemic of constipation had suddenly broken out. There weren’t enough local veterinarian biologists to deal with the poor obstructed lizards, and since they’d asked Professor Pineda for help, and he knew how much I liked working with large-scale fauna, he thought that maybe…

I’ll never know if he was serious about it or was just making a sarcastic joke.

But I rushed there straight away, and I’ve never regretted it.

I learned more about super extra grande veterinarian biology in those three weeks on Jurassia than I had in seven years of classroom study at Anima Mundi.

Before long, even the cocky team at the local bio theme park, whose members considered themselves the unrivalled experts on dinosaurs, starting listening to and respecting my opinions, even though I was just a novice.

I demonstrated a special intuition for the anatomy of those giant lizards. I seemed to know instinctively where to inject a stegosaurus with half a kilo of intravenous sedatives in order to knock out not only its tiny brain but also the medullar control center back by its rear hips, which controls, among other things, its highly dangerous tail spikes.

From just a glance at an eighty-ton seismosaur writhing on the ground in pain, I could tell its digestive system was incapable on its own of expelling the fecaloma obstructing it. By palpating bare-handed near the base of its tail, I determined where best to apply the ultrasound generator and break up the stone by extracorporeal lithotripsy, allowing the creature to evacuate the obstruction without further pointless suffering.

I was the only one who the fierce tyrannosaurs and spinosaurs allowed to get close enough to administer the miraculous warm-oil enemas that calmed their howling pain.

By the end of my third week there, the epidemic was over. It had been caused by a local microorganism, its morphology a cross between coccus and spirillum. As so often happens, for years no one even suspected its existence—but from one day to the next it entered an especially virulent phase in its centuries-long life supercycle.

On Jurassia they were ready to erect a statue of me. Novice or not, I’d saved their world’s most important source of income, dedicated as they all were to biotourism. As for the dinosaurs I’d treated, I had them literally eating from my hand.

Speaking of tyrannosaurs and spinosaurs, well, it wasn’t so easy to keep them from eating my hand along with the food. They’re predators, after all, and not terribly bright, and the truth is, they weren’t too clear about where affection ends and abuse of friendship begins.

For my part, I deeply regretted not being able to deal with anything bigger than the seismosaur—which was extra grande, at most. Big, sure, but still not a genuine extra extra grande.

That was when I decided what my professional specialty would be: super extra grande animals, perfect for a guy with my body type and manual dexterity—or rather, my lack thereof.

With the not inconsiderable savings I had salted away from working in the mythological holovision series on Anima Mundi, plus a little extra help kicked in by my parents and my already established classmates João de Oliveira and the Amphorian Murgh-Jauk-Larh, I rented an office in the capital of Gea, the most populous Third Wave world, hired my first secretary-assistant, Enti Kmusa, and with an enthusiasm that my skeptical parents both thought I should have reserved for a better cause, I started treating the diseases and afflictions of the largest living creatures in the known universe.

The bigger the better
Veterinarian to the giants

That was my first slogan.

It’s been a few years since then, and I can say without fear of exaggeration that more tons of flesh or cytoplasm have passed through my hands than through anyone else’s.

I simply have no rivals in my specialty. I’ve worked on everything, so long as it’s really big—from threshers infected with a space virus that rotted their hydrogen collector traps to titan leeches on Swampia with gills contaminated by an oxygenated water leak from a nearby Kerkant refinery.

There’s only a handful of problematic giants I haven’t treated yet.

First off, concholants: a species of small (I know that isn’t the best word, but…) living Dyson spheres, which surround medium-sized asteroids with their shells and then devour them to the last molecule. These silicon-based space life forms are so rare and so little is known about them that we can’t even determine with any certainty whether one is alive or dead. Not to mention sick or healthy.

Second, the hissing dragons of Siddhartha. Not because they’re rare or problematic, but because nobody’s too interested in making a pet of a forty-meter-long cockroach that eats anything that falls into its mouth and excretes clouds of sulfurous vapor whenever it’s disturbed. I think there are only four or five specimens in all the zoos in the galaxy. But I’m patient; when one does fall ill, I’m sure they’ll call me to take care of it.

And third, last but not least, of course, my great dream: the laketons of Brobdingnag. The most enormous creatures in the galaxy…

Purchase the book to read more!


About the Author

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Born José Miguel Sánchez Gómez, Yoss assumed his pen name in 1988, when he won the Premio David in the science fiction category for Timshel. Together with his peculiar pseudonym, the author's aesthetic of an impentinent rocker has allowed him to stand out amongst his fellow Cuban writers. Earning a degree in Biology in 1991, he went on to graduate from the first ever course on Narrative Techniques at the Onelio Jorge Cardoso Center of Literary Training, in the year 1999. Today, Yoss writes both realistic and science fiction works. Alongside these novels, the author produces essays, reviews, and compilations, and actively promotes the Cuban science fiction literary workshops, Espiral and Espacio Abierto.




 

Francine Prose Introduces a New Illustrated Frankenstein

The horror, the horror….

We can all picture Frankenstein’s monster, but can we really conjure the dread and terror of Mary Shelley’s novel Frankenstein; or, the Modern Prometheus?  A classic in its two-hundredth year of life, the masterpiece has indeed proved immortal, and is even more popular today than it was upon publication. But the popularity of the book has sometimes dimmed the horror of the original image: a man created from the salvaged anatomy of the recently buried dead.

The tempestuous tale of Frankenstein’s origins is almost as good as the resulting novel. Mary Shelley had just run away with the still-married poet Percy Bysshe Shelley, and her meddling stepsister, Claire, was along for the trip. This uneasy threesome met with Lord Byron, who had become Claire’s lover, and his physician, John William Polidori, at Lac Leman in Switzerland for the summer season. Cold and heavy rains (the consequence of an Indonesian volcanic eruption the year before) put a damper on their holiday. On Byron’s suggestion, the group resorted to telling ghost stories (and one presumes other amusements), with each member of the party charged with writing his or her own chilling tale. No inspiration came to Mary—until the vision for Frankenstein appeared in a dream, one so terrifying that she knew she had to replicate the sensation in her readers. This June, two hundred years after that fateful night, we’ll be releasing a very special edition of Frankenstein, the second book in our Restless Classics line.

The acclaimed novelist and critic Francine Prose, in her introduction to our edition, makes a compelling case for the continued relevance of this towering work of gothic fiction. Prose speculates that Mary Shelley was likely influenced not only by her dream and the stormy lakeside retreat, but also by her second pregnancy:

Mary was pregnant with Shelley’s second child, doubtless a source of anxiety since her first child, Clara, had died soon after birth and Mary’s own mother had died in childbirth. Little wonder, then, that the story Mary wrote would be so thoroughly steeped in violence, in grief, in loneliness and fear, in remorse and guilt.

Now, even as medical technology brings increased security to childbirth, its advances bring back to life the old questions Mary Shelley originally tangled with: "What is a human being? Is it dangerous to play god? What are the ethical implications and limits of scientific research?"

The delusion of reason: Eko illustrates Frankenstein

In tandem with Francine Prose’s introduction, the fiercely original Mexican artist Eko brings readers back the gothic horror of Shelley’s text with 26 original illustrations throughout the book. In his illustrator’s introduction, Eko writes:

The scientist Hippolyte Cloquet described writing his groundbreaking Treatise on Descriptive Anatomy “with scalpel in hand,” .... In this series of ink drawings I use as a base the pages of a French anatomy book from the period during which Mary Shelley wrote her novel; the paper is an artistic setting, historic and aesthetic, and the information and the forms of the letters are Dr. Victor Frankenstein’s laboratory. With my drawings I continue Dr. Frankenstein’s line of thinking and ask the same questions he asks: Is it right for science to create human beings? Is that “creature,” that “monster” the consequence of human arrogance? Is being familiar with anatomy enough to know what it means to be human? Francisco de Goya writes on one of his etchings, “The sleep of reason produces monsters.” This monster is formed with human parts and comes to life with the force of electric energy—but still isn’t human. It’s the product of dreaming, of a delirious mentality. He doesn’t even exist; he is the fear that we have of our own work. My drawings, like the mind of Dr. Frankenstein, start with the delusion of reason.

A sneak peek at 10 of Eko's original illustrations 

Pre-order your copy of Restless Classics’ Frankenstein to read Francine Prose’s introduction, see all 26 of Eko’s illustrations, and reacquaint yourself with a timely 200-year-old masterpiece of gothic horror.

 

 

Meet the Winner of the Restless Books Prize for New Immigrant Writing

Earlier today, Literary Hub announced the inaugural winner of the Restless Books Prize for New Immigrant Writing, which each year will award $10,000 and publication to a first-time, first-generation American author. The 2016 prize goes to Deepak Unnikrishnan for his novel Temporary People, a book of linked stories about the migrant workers of the United Arab Emirates that the judges call "a brave, stylistically inventive book that presents a frightening, surreal world that’s all too true to life." Read on for the author’s introduction to the book, and you can read an excerpt on Lit Hub. Temporary People will be published by Restless Books in spring 2017.
 

Photo credit: NYU Abu Dhabi

Deepak Unnikrishnan on Writing Temporary People

In 2001, I began life in America as a migrant of fortune. I had left Abu Dhabi for the United States to attend college. I was twenty. For my parents, Indian migrants and temporary workers who lived in the UAE, my departure was inevitable. The UAE does not grant citizenship to its foreign labor force or their children. I fully expected the American Embassy to reject my student visa application because my father was broke. Yet at the embassy, I wasn’t interviewed. I was simply asked to return the following week to collect my passport. In Jersey, where I received my BA, I worked as a library assistant, resident assistant, gardener, and mover. In New York, I worked for a television station. And when I moved to Chicago by train, to pursue my MFA on scholarship at the Art Institute, I held three jobs to cover rent and food. After graduation, struggling to find steady income, almost out of status, I housesat and watched other people’s dogs, as I polished the manuscript for Temporary People, the reason I moved to the Midwest.

Temporary People is a work of fiction set in the UAE, where I was raised and where foreign nationals constitute over 80 percent of the population. It is a nation built by people who are eventually required to leave.

Fiction has barely addressed the so-called guest workers of the Gulf, their histories, myths, their struggles and triumphs. Beginning with three construction workers escaping labor camp, the twenty-eight stories in Temporary People, divided into three sections (Limbs. Tongue. Home) examine temporary residents like them and the homes they have left behind, and illuminates how temporary status affects psyches, families, memories, fables and language(s). The book employs an amalgamation of the English language tampered with by Malayalam slang, finessed in an Indian school on Emirati soil, and jazzed up thanks to American, Arabic and British television. The book also explores the mispronunciations and word appropriations that take place when a country’s main demographic are people from elsewhere. If Salman Rushdie’s work toys with the English language and George Saunders’s writing presents dark hyper-real satires, Temporary People attempts to do both, and take the conversation a step further by presenting the Emirati street, face, and sounds.

Read the judges' citation and prize announcement on Literary Hub