About the author
George Eliot (1819–1880) was the pseudonym of Mary Ann Evans, an English Victorian author whose major works include The Mill on the Floss, Silas Marner, Middlemarch and Daniel Deronda.
About the introducer
Rebecca Mead has been a staff writer at The New Yorker magazine since 1997. She is the author, most recently, of My Life in Middlemarch (Crown, 2014).
About the illustrator
Keren Katz is a cartoonist, writer, and the non-fictitious half of The Katz Sisters Duo. She is a graduate of the School of Visual Arts’s MFA Illustration Program and Bezalel Academy in Jerusalem. She is the author of two graphic novels The Academic Hour and The Backstage of a Dishwashing Webshow and was nominated for the SPX Ignatz Award for Outstanding Artist. Her work has been published in anthologies by Fantagraphics, Smoke Signal, Locust Moon, Rough House, Ink Brick, Retrofit Comics, The Brooklyn Rail, Kuš! (nominated for the SPX Ignatz Award for Outstanding Mini Comic), Carrier Pigeon and Seven Stories Press.
Book Details
Paperback ISBN: 9781632063069 • $24
eBook ISBN: 9781632063076
Publication date: Sep 14, 2021
6" x 9" • 784 Pages
Territory: World
Other buying options:
Praise
“Eliot had such power, and she knew she had. And such courage.”
—A. S. Byatt, author of Possession and The Children’s Book
“Middlemarch is so careful to correct any habit to side with one person rather than another that the narrator even corrects herself.”
—John Mullan, author of What Matters in Jane Austen?
“A novel without weaknesses, it renews itself for every generation.”
—Martin Amis, author of Inside Story
“Middlemarch, the magnificent book which with all its imperfections, is one of the few English novels written for grown-up people.”
—Virginia Woolf
“Eliot found fulfillment in a relationship that society shunned—no wonder her study of marriage captures a climate of change.”
—Jennifer Egan, Pulitzer Prize-winning author of A Visit from the Goon Squad and Manhattan Beach
“Middlemarch shows us the contours and indeed the very language of the characters’ inner lives.”
—Michael Gorra, author of Portrait of a Novel: Henry James and the Making of an American Masterpiece